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| When Hangover Becomes Form | Draw A Line And Follow It | ||||||
DRAW A LINE AND FOLLOW IT Titled after LaMonte Young's "Composition 1960 No. 10," a performance score consisting of the instruction 'Draw a straight line and follow it,' this exhibition traces connections from George Brecht, Jackson Mac low, Yoko Ono, Mieko Shiomi, Robert Watts and others to a contemporary generation of artists that share an interest in the Fluxus practices of the 1960's and 70's. These LA-based artists were invited to explore Fluxus objects in the Jean Brown Collection at the Getty Research Institute. Each picked a score to instigate a new work - producing drawings, installations and performances (planned and spontaneous) throughout the summer at LACE. Young's score was dedicated to the artist Robert Morris, and it has been interpreted by a number of artists over the years, including composer David Tudor and artist Nam June Paik. Thus a piece that was composed by one artist and dedicated to another has served as inspiration for additional artists to create unique works of art based on a simple instruction. In keeping with this tradition, LACE asked an initial group of four artists not only make a new piece for the exhibition, but also to each invite another artist to participate. Each new artist was then invited to add another artist until a total of 16 were chosen. Three bonus participants, Peter Frank, Ben Patterson and the LA Art Girls, have also joined the project. ARTISTS IN THREAD ORDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Special Thanks to the staff in Special Collections at the Getty Research Institute. Support for Draw A Line and Follow It is provided by: The Andy Warhol Foundation for the Visual Arts, California Community Foundation, City of Los Angeles Department of Cultural Affairs, The Getty Foundation, Jockey Hollow Foundation, Los Angeles County Arts Commission, Morris Family Foundation, and the members of LACE. |
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