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CURRENT
NICHOLAS LOWIE AND
SHERIDAN LOWREY
Careless Exhibition of Twentieth Century Product Design/ Poetic
Installation of Works by Constantin Brancusi, Ann Hamilton, Bertrand
Lavier, Sherrie Levine and Haim Steinbach
installation
Saturday 15 January through Saturday 18 March 2000
Nicholas Lowie and Sheridan
Lowrey created a single installation of two exhibitions that were
each comprised of a series of sculptures that collectively offer
a subjective history of twentieth century western art and product
design. Characterized by the combination and awkward proximity of
unique artwork and iconic examples of 20th century product design,
this piece has the unusual necessity for one title in two parts.
Together, the titles imply that two exhibitions have merged into
one, exemplifying a larger cultural phenomenon of the collapsing
of the moment of image production, its reception, and dissemination
(as happens, for example, in cyberspace). The installation takes
on a complicated role as a site for the convergence of art history,
contemporary art as appropriation, conventions of exhibition and
display, and debates surrounding 20th century architecture. Indeed,
the artists feel that, "the impulse to name the project as an exhibition,
installation, sculpture, or architecture is challenged by the work
itself...a reading of the project forces a critical reevaluation
of the cultural definitions of those terms."
According to the artists,
"The objects have multiple narratives, most obviously as both noted
designs and artworks; but they also host multiple authors -- combinations
of a cheesegrater, table, and chair are shared among four artists.
Additionally, the objects are models of the images and texts, and
vice versa. As Levine's Black Newborn 'casts Duchamp's and Brancusi's
stories together,' or as her Chimera: After a Broken Leg employs
the Eames's splint for a leg broken by Duchamp's Trap, this project
combines and extends the conceptual narratives of the artists shown
by allowing all their concerns for the relationship between artwork
and base to encompass the dilemmas between art and text, quite literally
evidencing the fact that reproduction and criticism are the supports
upon which sculpture sits, and vice versa."
Nicholas Lowie and Sheridan
Lowrey are practicing graphic designers and teach architecture and
related subjects at various institutions.

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